Camel Driver [handwritten]
A hand painted postcard from roughly 1905, many of which like printed postcards illustrated the various labor occupations.
A hand painted postcard from roughly 1905, many of which like printed postcards illustrated the various labor occupations.
Dhurandhar and other J.J. School students spent so much time sketching at the beach on Marine Drive, they could hardly have failed to pick-up a sight like this. The daughter in Parsee Ladies at Seaside is even more Westernized than her mother.
A rare and exceptional early French postcard that attempts to tell the historical story of hairstyles in India, delicately held together by ivory and ornament stretching from top left to bottom right.
Parsi women were a popular subject—progressive women with traditional virtues, counterpoints to the nautch girl. This Parsi Lady is holding what could be a postcard.
The imperialism is repugnant, but there is no doubt that this rare card by British publisher C.W. Faulkner & Co. is a masterpiece of design.
A very early lithographic postcard of Calcutta, postmarked as early as the first half of 1899, and published from Budapest, then part of the Austro-Hungarian empire.
Another example of Dhurandhar's virtuosity as a painter, with the forest of trees and white flowers lending vibrancy to woman in the foreground.
The babu, or educated Bengali bureaucrat, could be said to have held the Raj in the twirl of an umbrella. Babus were a new species that blossomed during colonial rule, hybrids of Western needs and Indian traditions.
"The professional photographers of Darjeeling generated innumerable prints depicting those whose toil supported the lifestyles of the colonialists in their homes and businesses, and who created products they loved to consumer," writes Claire Harris
[Original] Durga - Great Eastern Hotel - Telegraph Office - Snake Charmers [end]
A card from the earliest known series of Calcutta postcards by the Austrian photographer W.