Happy
A truly multi-purpose postcard by Paul Gerhardt.
A truly multi-purpose postcard by Paul Gerhardt.
An early lithographic card by the elusive Bombay lithographer and publisher W. Cooper. Like some of this other cards, it seems to have originated in a photograph also published as a postcard by The Phototype Co.
Like the backs of many Dhurandhar cards, this one bears the blind stamp and price ["A.H.W. Rs. 0-1-0," e.g. 1 anna] of A.H. Wheeler & Co., at 47 Hornby Road, the bookstall chain and contractor for advertising on Indian Railways.
This may be the very cottage where Bremner had an indelible experience. He writes in his autobiography “I never spent such a night. The melting snow was trickling on to the bed through apertures in the ceiling.
The Princely State of Chamba appeared on few postcards during the Raj even though its rulers seemed to have good relationships with a number of Punjab-based photographers, including Fred Bremner and John Burke.
These Jain temples were constructed in memory of Ādinātha, the first of the Jain tirthankaras, who is said to have meditated here. The publisher of these unusual postcards remains elusive.
An example of how the earliest postcards of a place were often design masterpieces. Note how the palm tree merges with the ship masts, and nautical rope and elements carefully surround the whole frame.
Benjamin B. Cohen, in his highly informative study of Raj clubs, In the club Associational Life in colonial South Asia writes: "Locating the center of the [colonial] club's sphere at Government House de-centered the club and reflects the strong link
A key figure in the Raj was the punkha boy or man, who pulled the string that moved a fan in a bar or in the sleeping quarters to keep their employers cool.
From Dhurandhar's earliest postcard series featuring the people of Bombay. Once again, a gesture defines character, with the white space next to the priest space for the sender to write a message.