6. What is this
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The most interesting of his Dhurandhar's later postcards were printed by The Lakshmi Art Printing Press. The Press belonged to Dadasaheb Phalke (1870–1944), a businessman who once worked at the Ravi Varma Press and had been a student at the J.J.
The second card in Dhurandhar's Coquettish Maid Servant Series. [Next]
The third card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. Note the chapati flour handprints on the husband's back. [Next]
The fourth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The fifth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
[Original caption] Damayanti is creeping stealthily to catch the golden Hansa. [end]
In the Mahabharata Hansa, the swan, extolls the virtues of King Nala to her and says "If the peerless wed the peerless—blessed must the union be," in one of the
Most likely a dancer given her anklets, Goa, as a Portuguese Colony, was not well-represented in British Indian postcards.
Inside a studio, the barefoot milkmaid seems caught out of place.
The growth of a city like Bombay was largely dependent on the work of laborers who carried bricks and building materials on wicker baskets on construction sites, much like they do today, which must be part of the reason why they were such common