A Fruit Seller, Madras
A very finely hand-tinted postcard, with the indigo closely fitting the cloth, one arm balancing a basket of fruit on the seller's head, the other reaching out to the viewer with a bright red sample.
A very finely hand-tinted postcard, with the indigo closely fitting the cloth, one arm balancing a basket of fruit on the seller's head, the other reaching out to the viewer with a bright red sample.
To be a named "beauty" on a postcard was quite an honor at the turn of the century. Rukmoni is shown here in a studio with colorized backdrop.
An early shipping line advertising card from Germany, from one of the largest late 19th century shipping firms that only in 1970 was merged into Hamburg America Line to form Hapag-Lloyds.
An artfully placed stamp gives this card additional character.
A popular Jaipur postcard shows a woman spinning cotton in front of a traditional door.
An unusual coloured collotype by Kashmir's premiere postcard publisher. The pink seems to billow both outward from the frame and upward to the woman's face.
An early postcard by R. Jalbhoy, a Karachi photographer who established his practice around 1890 and later would become a reputable dealer for Kodak and various European photographic goods on Elphinstone Street.
One of the more beautiful hand-tinted real photographic postcards. Identified only as a South Indian woman, it seems to have been printed in a French colony (Vietnam?) by a Chinese photographer.
A portrait of a woman in a photographer's studio where the fine detail of her garment and the cane work she is resting her arm on almost overwhelm the sitter. There is also detail in the background, and even the carpet is full of patter. K.
The successful colorization of what was originally a black and white photograph is exemplary.