Galta Tank Jaipur
Galtaji is an ancient set of Hindu temples built into rocky hills near Jaipur, nicely captured in this rich early collotype by one of the first all-India postcard publishers.
Galtaji is an ancient set of Hindu temples built into rocky hills near Jaipur, nicely captured in this rich early collotype by one of the first all-India postcard publishers.
Among the Paul Gerhardt postcards published by The Ravi Varma Press, this seems to be one of the rarer ones. Postally used in Glasgow, Scotland on Nov.
A postcard which represents something of the uneasy relationships during the colonial period. The ancient banyan tree is hemmed in by fencing and benches. Two bearded British men are enjoying a drink under its shade.
A very early postcard most likely drawn by lithographer Paul Gerhardt and printed at The Ravi Varma Press, although this is not certain and is based on its similarity to other signed Gerhardt postcards in its use of leaves and trees and background.
A striking collotype published in many versions by Clifton & Co. The Arhai-Din-Ka-Jhopra was built in the 13th century by the first Muslim Sultan in India, Qutb-ud-Din Aibak, and before him by Abu Bar of Herat, Afghanistan.
Bullocks that ferried water were called "water bullocks." This colored image by Clifton & Company, one of the earliest mass publishers of postcards in Mumbai (Bombay) was fairly popular, perhaps because of its rich colors.
In Ali Raza's excellent book Revolutionary Pasts Communist Internationalism in Colonial India (Tulika Books, 2022) there is this note from a police report in 1926: "A public meeting was held . . . under the auspices of the Nau Jawan Bharat Sabha to
Elphinstone College, Mumbai is one of the oldest colleges in the University of Mumbai system.
An almost dreamlike view of Chhatrapati Shivaji Terminus (formerly Victoria Terminus), better known by its local acronym CST or VT, a historic railway station that serves as the headquarters of the Central Railways in India and now one of the busiest
Note the diagonal leading the eye into a rich scene, the figures in the corners of the frame, the tethered cow on the left, the pots in the coals, the vibrancy of this human space under a hoisted banner.