Bangalore. St. Patrick's Church.
[Original caption] St Patrick's Church – Of the native Christians in Bangalore, the majority are Catholics.
[Original caption] St Patrick's Church – Of the native Christians in Bangalore, the majority are Catholics.
A very early postcard printed in India (postmarked Dec. 1902 in one instance) by the lithographer W. Cooper. The chance discovery of another photographic postcard shows how a scene like this was composed.
The Hari Parbat hill overlooking Srinagar is considered sacred to the Kashmiri Hindus. From a self=published series by an English amateur artist known as E.E.
Clifton's later postcards, especially his candid photographs in the bazaars of Mussoorie, are among his most interesting. There is a blur to man on the right, suggesting this came from a longer-exposure albumen photograph.
Although it is a single fakir at the doorway who is the subject of the postcard's title, it is the colors of the entrance to the Golden Temple in Amritsar that catch our eye.
An atypical postcard that shows a ship in dry dock.
[Original caption] The Kaid sits at his ease smoking his narghileh whose gilded bow his slave adroitly feds with tiny lumps of tobacco, keef or opium.
A geographically instructive postcard, which helps the traveler locate themselves on the way to Mussoorie, almost 40 kilometers from the railway station. The famous "Camels Back" hump is also pointed out. The steam on the railway engine looks real.
A humorous colonial postcard comparing clothes washing in England and India, part of a larger artist-signed series by the large Kolkata retailer.
"People like me who came to England in the 1950s have been there for centuries," writes the Jamaican cultural theorist Stuart Hall, "symbolically we have been there for centuries. I was coming home.