10 New maid-servant
The tenth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [First]
The tenth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [First]
The ninth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The most interesting of his Dhurandhar's later postcards were printed by The Lakshmi Art Printing Press. The Press belonged to Dadasaheb Phalke (1870–1944), a businessman who once worked at the Ravi Varma Press and had been a student at the J.J.
The second card in Dhurandhar's Coquettish Maid Servant Series. [Next]
The third card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. Note the chapati flour handprints on the husband's back. [Next]
The fourth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The fifth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
[Original caption] Madras, Date Palms. This is a corner, probably of the People's Park at Madras, which the city owes to energy of its sometime Governor, Sir Charles Trevelyan.
One of the reasons that postcards became so popular around the turn of the century was because of the growth of shipping and railway lines that let people and postcards move rapidly from place to place.