Greetings from Napier Cinema, Poona
An interesting postcard from many angles. It is an early advertising card for a cinema in Pune, part of a series published by the proprietor A.C.
Greetings from
Calcutta
Kalighat - Burning Ghat - Nautch Girl - Kali
One of the earliest "Greetings from Calcutta" postcards, by the German or Austrian photographer Werner Roessler who was based in the city and had the lithographic card printed in Austria from his
Greetings from Darjeeling
One can only marvel at the early "Greetings from" postcard, the way five photographs are woven into one image with the help of plant motifs, in this case tree branches but often palm trees for Indian images.
Greetings from Jamaica, West Indies
A postcard showing Indian workers ("east Indian coolies") brought to work in Jamaica (the "West Indies") to work, part of an enormous migration of Indian labor to British colonies around the world, many of whose descendants are still living in places
Souvenir of Darjeeling Himalaya
Thomas Paar was one of the earliest publishers of Darjeeling postcards, and a longtime photographer with a grand studio in the middle of the hillstation.
Bristol Hotel, Colombo
Hotel advertising postcards played an important role in the rise of the medium; they are often found in guest rooms today too, ready to send home and market the establishment where a loved one is staying.
Greetings from John Hagenbeck & Co.
[Original German translated] Buy tea from Hagenbeck's Ceylon Tea.
The main driver of Sri Lanka’s economic growth during the colonial period was the tea industry.
Greetings from India
There were many kinds of "Greetings from India" postcards in the early days of postcards.
Asia [Asien]
![Asia [Asien]](https://www.paperjewels.org/sites/default/files/styles/square_thumbnail/public/slides/indien-india_0.jpg?itok=Mcwhgn1C "Asia [Asien]")
An early jeweled postcard of Lahore's tomb of Maharajah Ranjit Singh.
Greetings from Darjeeling Himalaya
An early "Greetings from" postcard of Darjeeling by its premiere early photographer Thomas Paar. Clare Harris in her excellent book Photography and Tibet (Reaktion, 2016) "deconstructs" the figure on the left, whom she correctly calls a 'poster boy'
