The Burning Ghat, Benares
[Original caption] General View of Ghats, Benares. The landing places leading to the many temples which look down upon the River Ganges, whose waters are held so holy that they can wash away all sin. [end]
[Original caption] General View of Ghats, Benares. The landing places leading to the many temples which look down upon the River Ganges, whose waters are held so holy that they can wash away all sin. [end]
"The stranger unacquainted with conditions in India, and visiting Bombay for the first time, cannot fail to be impressed by an inspection of the huge assortment of books which Messrs D B Taraporevala, Sons and Co find it necessary to keep in hand to
This most interesting thing in this composite street scene is the way it brings the many forces of colonialism into view. In the distant background is Karachi's mammoth St. Patrick's Cathedral.
Parsi women were a popular subject—progressive women with traditional virtues, counterpoints to the nautch girl. This Parsi Lady is holding what could be a postcard.
The imperialism is repugnant, but there is no doubt that this rare card by British publisher C.W. Faulkner & Co. is a masterpiece of design.
A richly mysterious image by the postcard poet of the Murree hills, Baljee. A whisper of a road peeks out from under the forest coverage on the right above his signature in the original albumen negative.
A very early lithographic postcard of Calcutta, postmarked as early as the first half of 1899, and published from Budapest, then part of the Austro-Hungarian empire.
The sitter's expression is among the more memorable antique postcard portraits.
One of the more unusual forces in Rajputana during the Raj was the Bikaner Camel Corps which "had such camels also on which 'jujarbas' or small cannon were mounted" (Nandakiśora Pārīka, Jaipur that was: royal court and the seraglio, p.
Another example of Dhurandhar's virtuosity as a painter, with the forest of trees and white flowers lending vibrancy to woman in the foreground.