Gosavi (Ascetic)
A very early postcard printed in India. Gosavi is a Marathi word that refers to someone who has renounced worldly pleasures and wears garments of the "brick-dust" color shown here.
A very early postcard printed in India. Gosavi is a Marathi word that refers to someone who has renounced worldly pleasures and wears garments of the "brick-dust" color shown here.
An early Tuck's painted postcard made to celebrate the 1903 Delhi Darbar. Viceroy Lord Curzon and his wife Mary are atop the elephant, their arrival opened the Darbar.
Another classic, empathetic Dhurandhar portrait that seems to capture well Hobson Jobson's (1903, p. 44) definition: "BABOO , s. Beng. and H. Bābū [Skt. vapra, 'a father']. Properly a term of respect attached to a name, like Master or Mr., and
Grand Review of Troops held before the Amir of Afghanistan Habibullah Khan at Agra in January 1907 when he was invested by Lord Minto with the Order of the Bath. A. Vivian Mansell & Co. were one of Britain's most high-end postcard publishers.
Before there were cars, there were carriages, and even these could benefit from pneumatic tyres which were inflated by air and led to more comfortable rides.
A postcard that sums up the fantasy of colonial life for Europeans. The dog resting by the tub is to Indians most unhygienic, but to Europeans the ultimate Raj bathroom accessory.
[Original caption] General View of Ghats, Benares. The landing places leading to the many temples which look down upon the River Ganges, whose waters are held so holy that they can wash away all sin. [end]
"The stranger unacquainted with conditions in India, and visiting Bombay for the first time, cannot fail to be impressed by an inspection of the huge assortment of books which Messrs D B Taraporevala, Sons and Co find it necessary to keep in hand to
This most interesting thing in this composite street scene is the way it brings the many forces of colonialism into view. In the distant background is Karachi's mammoth St. Patrick's Cathedral.
Parsi women were a popular subject—progressive women with traditional virtues, counterpoints to the nautch girl. This Parsi Lady is holding what could be a postcard.