6. What is this
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The sixth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The most interesting of his Dhurandhar's later postcards were printed by The Lakshmi Art Printing Press. The Press belonged to Dadasaheb Phalke (1870–1944), a businessman who once worked at the Ravi Varma Press and had been a student at the J.J.
The second card in Dhurandhar's Coquettish Maid Servant Series. [Next]
The third card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. Note the chapati flour handprints on the husband's back. [Next]
The fourth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
The fifth card in Dhurandhar's series about a new pretty maid who comes into a middle-class household. [Next]
[Original caption] Madras, Date Palms. This is a corner, probably of the People's Park at Madras, which the city owes to energy of its sometime Governor, Sir Charles Trevelyan.
One of the reasons that postcards became so popular around the turn of the century was because of the growth of shipping and railway lines that let people and postcards move rapidly from place to place.
"There is possibly no name connected with Simla which to thousands of Anglo-Indians, past and present, can revive more memories of a pleasant nature than that of Annandale." writes Edward Buck, the longtime resident and master chronicler of the
A wonderfully posed studio shot by Plate & Co., the well-known Colombo postcard publisher and portrait artist.