Greetings From Bombay
A early Mumbai postcard, with ornament weaving together three photographs of the city.
A early Mumbai postcard, with ornament weaving together three photographs of the city.
The claim that this is a much extolled Kashmiri beauty is probably true, as this particular woman seems to appear on other postcards from the period. She is wearing the traditional Kashmiri dress, the pheran, and could be wearing a watch on her left
A superbly composed Bremner image, from the trees and boat in the foreground, the reflective lake stretching back towards a Hindu temple on the banks.
Professional dancing girls were among the most popular early postcard subjects. These two dancing girls are probably from Lucknow as the painting in the studio background on the left recalls the Chutter Manzil in Lucknow.
"Kodaikanal (Kody), though not so quite fashionable as Ooty," wrote Eustace Reynolds Hall in The Tourist's India (1907) "is rapidly coming into favour.
A postcard where the angle and architecture combine effectively to represent the role an institution once played in India's political and social life.
Clifton's later postcards, especially his candid photographs in the bazaars of Mussoorie, are among his most interesting. There is a blur to man on the right, suggesting this came from a longer-exposure albumen photograph.
A less-typical image of an "Indian well," with a rugged sloping foreground that reminds the viewer how far beneath water could lie and the messiness of its extraction.
"Cattle borwsed homewards to small hidden hamlets in the valleys, all grew softer and greyer till it was quite dark and the lights came out where she had not thought there was any habitation at all – single lamps here and there in Kasauli, pinpricks
Sent to R.S. Gibbons, c/o Mrs. N.L. Larler, J.G. Northhampton Road, Addiscombe, Croydon, Surrey, England: "Feb 4th [1919?]. Granny sent you 10/- [shillings] for Xmas. Ask R.M. to give it to you out of the Bank.