Gwalior, Sas Bhao Temple
An early undivided back postcard by The Phototype Company in Bombay, probably from its first pan-India series characterized by very high printing quality and red titles.
An early undivided back postcard by The Phototype Company in Bombay, probably from its first pan-India series characterized by very high printing quality and red titles.
[Original caption] Jemadar Mir Dast 5th Wilde's Rifles. Won the V.C. for great bravery in the fighting around Ypres. Issued by Order of Her Highness Nandkunverba, C.I. Maharani of Bhavnagar, for the benefit of the War Fund. [end]
From a series of
This postcard is actually an exquisite work of art, signed by the Nathdwara artist A. Ghasiram. Nathdwara in Rajasthan was a center of "Pichwai" painting for centuries.
The dominant presence in the city when the British took control of Lahore 1848 was not the Mughals, but the Sikhs.
[Original caption] A Persian Gypsy Woman and Children. These itinerant vendors of small articles travel far and wide through India, often pretending also to occult knowledge.
An impressive studio shot that lays bare the artifice used to make these images work: the painted backdrop with visible border, the matching design shoes and carpet, the desk or piano the woman's arm is resting on, surrounded by an oval frame common
Plate & Co. in Colombo dominated the postcard trade on the island of Ceylon (now Sri Lanka), and sold half a million postcards in 1907 alone, an enormous sum for a single publisher.
A hand-tinted real photography by an exceptional filmi postcard publisher in Sukkur, Sindh. The actor Nandram starred in the film Master Stroke (1927) which this postcard may celebrate, else the "Master" may simply be his title.
A beautiful example by one of the premiere Lahore coloured postcard publishers, Peshawar-based D.C. Mehra and Sons.
A rare image of a pregnant woman (or is she just waiting?), posing in a studio, with an abundance of real vegetation surrounding her.